Hãy viết lại bài viết dài kèm hashtag về việc đánh giá sản phẩm và mua ngay tại Queen Mobile bằng tiếng VIệt: This is my favorite atomic bomb movie of 2023 — and it’s not ‘Oppenheimer’

Mua ngay sản phẩm tại Việt Nam:
QUEEN MOBILE chuyên cung cấp điện thoại Iphone, máy tính bảng Ipad, đồng hồ Smartwatch và các phụ kiện APPLE và các giải pháp điện tử và nhà thông minh. Queen Mobile rất hân hạnh được phục vụ quý khách….
_____________________________________________________
Mua #Điện_thoại #iphone #ipad #macbook #samsung #xiaomi #poco #oppo #snapdragon giá tốt, hãy ghé [𝑸𝑼𝑬𝑬𝑵 𝑴𝑶𝑩𝑰𝑳𝑬] ✿ 149 Hòa Bình, phường Hiệp Tân, quận Tân Phú, TP HCM
✿ 402B, Hai Bà Trưng, P Tân Định, Q 1, HCM
✿ 287 đường 3/2 P 10, Q 10, HCM
Hotline (miễn phí) 19003190
Thu cũ đổi mới
Rẻ hơn hoàn tiền
Góp 0%

Thời gian làm việc: 9h – 21h.

KẾT LUẬN

Hãy viết đoạn tóm tắt về nội dung bằng tiếng việt kích thích người mua: This is my favorite atomic bomb movie of 2023 — and it’s not ‘Oppenheimer’

If I’m being honest, most war movies strike me as different flavors of the same played-out, pro-military propaganda. Every so often, I’m pleasantly surprised by an outlier (looking at you, “Hacksaw Ridge”), but not once have the credits rolled and I’ve walked away with a new all-time favorite movie. Until “Godzilla Minus One,” that is. 

Because yes, “Godzilla Minus One” is a war movie. More specifically, it’s about the atomic bomb, the lasting terror and trauma inspired in the only country to date to experience its full destructive might, and, most importantly, the dauntless, all-too-human spark of hope that survives in the face of seemingly insurmountable odds.

said in retrospect of the original 1954 Godzilla: “The theme of the film, from the beginning, was the terror of the bomb. Mankind had created the bomb, and now nature was going to take revenge on mankind.”

In that same article, the film’s composer Akira Ifukube sheds even more light on the parallels: “The Japanese had fought with all their spirit, but it was modern technology that defeated them. Godzilla is unaffected by modern technology. He is stronger than the weapons that brought Japan to its knees.”

“Godzilla Minus One” lays bare the original titan’s brilliance — and does so with such a heart-wrenchingly powerful message of hope about humanity that you can’t help but feel moved by it. Written and directed by acclaimed CG animator and VFX artist Takashi Yamazaki, it’s set during the very tail end of World War II after the nuclear bombings of Hiroshima and Nagasaki. It follows Kōichi Shikishima (Ryunosuke Kamiki), a kamikaze pilot who hesitates in his mission by detouring to a maintenance stop on Odo Island. He has no way of knowing that Japan’s surrender is on the horizon. But after one fateful encounter with a reptilian behemoth that stomps ashore and wreaks havoc, what he does know is that the life he’s known has come to an end.

Without giving too much else away, “Godzilla Minus One” sums itself up in a single quote: “My war isn’t over yet.” It’s the kind of line that, seeing it now without context, almost sounds cheesy. Like if I’d read it quoted in an article, I would have rolled my eyes at it. Yet it lands with more emotional oomph than anything I saw in “Oppenheimer” by a mile. 

Two peas in a kaiju-size pod

I’m sure the argument could be made that, as a biopic, “Oppenheimer” shouldn’t even be compared to a purely fictional movie, as it’s limited by the canon of the reality it’s based on. To that, I’d argue two points. 

The first is that any movie or show “inspired by real events” is going to take some creative liberties; Nolan’s is no exception, and regardless, my complaints didn’t stem from the subject matter to begin with. If anything, that was one thing “Oppenheimer” had in its favor, as I enjoy learning about the nuclear arms race and it features heavily in some of my favorite media elsewhere like Fallout and Max’s Chernobyl.

The second is that, while obviously, I don’t have much to compare to, for a Godzilla movie, the titular kaiju ate up surprisingly little screen time. The emotional core of Godzilla Minus One (and the majority of its runtime) is built around its characters, their struggles, and the shared trauma that nonetheless threatens to tear them apart. So comparing the two on the grounds of storytelling is more than fair as far as I’m concerned. They share similar themes, story beats and character arcs — and I don’t think even a kaiju rampaging through Los Alamos could have improved my opinion of “Oppenheimer.” 

More from Tom’s Guide

Xem chi tiết và đăng ký